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The
Last Word on Death
AC
Grayling
To
die is different from what anyone supposed, and
luckier Whitman
If we base our understanding
of death on evidence rather than fear or desire,
we are bound to accept it as a twofold natural
process: the cessation of bodily functions, including
consciousness, followed by the body's dispersion
into its physical elements. Cessation of function
and the beginning of physical transformation occur
together at the moment of death; exactly what
constitutes that moment is a matter of controversy,
an important matter because many physiological
functions can now be sustained artificially. But
there is some agreement that brain death, because
it irrevocably ends mental activity, marks the
Rubicon.
In the rest of nature cessation
of function, followed by transformation of the
physical elements, is part of life's continuity.
It is a commonplace, but an important one, that
death and decay are the servants of life. Fallen
leaves change into humus on which next year's
seedlings feed: so the death and transformation
of autumn is essential to spring. Death is therefore
a condition of life and constitutes half its rhythm.
Human death does, however,
differ crucially from the death of other things.
Most humans have self-reflexive consciousness,
and most self-reflexively conscious beings regard
death as a loss of supreme possessions: awareness
and agency. It is not that most humans, if they
thought about it, would wish to live forever,
at least in this world; Shaw's Methuselah suggests
that endless existence would be intolerable. Rather,
it is that death comes too soon for most of us,
before our interest in the world, and in those
we care about, is exhausted.
From the subjective perspective,
being dead is indistinguishable from being unborn,
or from dreamless sleep; and can therefore hold
no terrors. What seems frightening is the prospect
of dying. But dying is an act of living; it is
something only the living do, and like most other
such acts - eating, walking, feeling happy or
ill - it might be pleasant or otherwise. But being
dead is not something we experience. We experience
death only in losing others, and the experience
is one of grief. Accordingly, our own deaths are
no part of our personal experience: each of us
experiences only life. In this sense, from the
subjective perspective we are immortal.
Marcus Aurelius, the Roman
emperor and Stoic philosopher, said that when
we die we lose only the present moment, for the
past has gone and the future does not exist; so
to comfort ourselves we have only to ask, 'is
this present moment really worth keeping?' But
Aurelius is wrong. We are each of us a compound
of memories and hopes, so the present is where
our experience meets our plans and expectations.
We are creatures of narrative; the next instalment
of the story interests us crucially. Therefore
death, either of someone we love, or as the indefinite
prospect of our own absence from the story, typically
counts as evil. To those who welcome death, by
contrast, the present's mix of past and future
has a special shape, distorted by anguish. There
is a psychological point after which, for them,
the next chapter has to be the last.
Because being dead is, on
a naturalistic view, identical to being unborn,
nothing about death itself makes it good or evil.
It is only what it removes from us that makes
it so. If it removes intolerable and interminable
pain, it is good; if it removes opportunities,
hopes, connections with the beloved, it is bad.
The fundamental question
is how to deal with others' deaths. We grieve
the loss of an element in what made our world
meaningful. There is an unavoidable process of
healing - of making whole - to be endured, marked
in many societies by formal periods of mourning,
between one and three years long. But the world
is never again entire after bereavement. We do
not get over losses; we merely learn to live with
them.
But there is a great consolation.
Two facts - that the dead once lived; and that
one loved them and mourned their loss - are inexpungeably
part of the world's history. So the presence of
those who lived can never be removed from time,
which is to say that there is a kind of eternity
after all.
How many of us, though,
can succeed in feeling these truths as consolations?
We are not good at coping with death, especially
in our contemporary materialist age, with its
pretence that we live indefinitely and that the
fountain of happiness is purchasing power. Few
face the fact of death squarely, or consider its
nature clearly. For most, the premise is that
death is evil; they avoid thinking about it, and
even refuse to allow that anyone suffering exquisitely
should be allowed its merciful embrace if he chooses.
We hide from death therefore,
and we hide death from us, until the last moment:
and especially until we have to face the deaths
of others. Unless we are religious, with the kind
of animal faith that Tolstoy's Levin admired in
his serfs, the forms and formalisms of dealing
with death are too often stiff and awkward to
give real comfort. That might be different if
we thought about death and its meanings more carefully,
and provided ourselves with an unvarnished, uncompromising
portrait of it as the greatest fact of life. Such
a portrait would do well if it showed us that
death is many things, few of them easy, but all
of them conquerable if we have courage enough.
We find death far harder
and stranger than our forefathers did. In earlier
times death was ubiquitous, more present and familiar
than most of life's pleasures. Its seat at every
table, its dogging of every step and breath, made
the world a different place. It certainly gave
religion a fearful boost, as the only offer of
security in a treacherous existence.
Nothing seems so dead as
clematis in winter. But even as March winds batter
one's garden, long green fingers open from the
clematis's brittle twigs, seeking somewhere to
take a grip on life. Commonplace observations
of nature's declining and resurgent cycles must
have been early sources of hope for mankind, faced
with the pity and terror of death. As a result,
resurrection stories abound in religion and myth,
and it is no accident that Easter is a spring
festival.
Such thoughts explain belief
in life after death and so does the fact
of fear, and a yearning for justice. The point
about fear is self-explanatory; the desire for
ultimate justice is a dimmer aspiration for those
who, like the writer and readers of these words,
occupy snug niches high up the food-chain. We
forget that, for the vast majority of people,
now as throughout history, existence is a grim
labour. The urbane voices that reach us from the
past come from the few who had opportunities to
speak or act; which was at the expense of armies
of faceless, nameless strugglers with little to
hope but that, in another dispensation of things,
they might have a chance of a spell in the sun.
Hopes for an afterlife are, in fact, a sad reflection
on, and a condemnation of, the facts of this life.
That should make us understand better Spinoza's
dictum about the wise man, for it should help
us see that if life for many makes them envy the
dead, humanity has failed itself badly.
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